the under work for " and not a dag in sight"

negative "painting" protects the areas I need to stay clear of ink. The ink then strikes and holds to the un-protected paper. The tonal variation is achieved by using different strengths of ink. After washing off , I tape the paper as can be seen for it to dry. The paper in question is a Canson paper , smooth on one side and stippled on the other - which is the side I use - helps in the effect obtained. Mike C.

Thanks for the info on your technique. It is very effective. Must give it a go sometime. thanks again.