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Posted
This one is on the easel at the minute, needing a little tightening up in places to refine the thicker brush strokes, and perhaps a glaze or two to tone down some of the chalkiness which you get with white - I could have mixed a little Naples Yellow with the whites, but - well, I didn't, that's all!
This will be for lovers of brush strokes - I like mine showing: a smoother finish could be achieved with more medium: you either like that or you don't, and on the whole I like a bit of rough, but there we are. This is based on a trip up to St Catherine's Down: worked up from sketches, and photographs by my friend Barry Fitzgerald, who was over here from Ireland at the time. Well, why take a photograph yourself when you have a professional photographer with you?
http://www.isleofwightlandscapes.net
http://www.wightpaint.blogspot.co.uk
http://www.isleofwightlandscapes.net
http://www.wightpaint.blogspot.co.uk
Posted
The sky was much helped by Michael Harding's Cobalt Blue - a gorgeous colour, stronger than most rivals that I've ever tried - I must compare it with W & N Cobalt Blue, of which I have a very small quantity left.
http://www.isleofwightlandscapes.net
http://www.wightpaint.blogspot.co.uk
Posted
HI Robert just one word away from the thread
have you ever had a secret attachment in an email that can be circulated .passed on to you unknowingly from a friend ,thats what I was on about on my face book page .. did you have large add appear ?
any way the offending add was removed .I don't know how.maybe face book dose this, take care my friend
and keep up the great oils ...
