Winter Photos as Source Material

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Hang on Studio Wall
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I have been asked by a gallery to provide some pictures of a local village so I set off this morning to take some photos. By the time I got there it was raining but I took a couple of dozen regardless and from them there are a couple which look very promising so I'll make a start tomorrow. My method of working when using photos as a source material is to interpret the scene in a loose drawing. The point I am coming to is that it struck me that the conditions today were ideal for the way I work. I know from comments posted on this site that many like bright sunlight and juicy shadows in their photos but this doesn’t appeal to me. Without shadows in the source photo I can interpret the scene as I wish and not be influenced by what the photo shows. Furthermore the trees are without leaves which means I have a better idea as to what lies behind them - outlines of buildings, hills etc Then when I develop my drawing (usually direct onto the watercolour paper) I can decide how much foliage to include or leave out to best suit the composition. If the trees in the photo are in full leaf I am denied this option In other words, for photos at least, I prefer a dull day in late autumn/winter. Yes I know this probably only applies to landscapes and townscapes but does anyone else at least understand where I am coming from or am I on my own here?