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Posted
I have a no of genuine protected dvds for sale
watercolour the wesson way ---- ---Steve Hall
watercolours outdoors two demos on this one --------- James Fletcher watson
watercolour for all------------- Ray Cambell Smith
watercolours from sketches ---------James Fletcher Watson
£12 each// + postage £40+postage as one lot
also some quality brushes (e mail for info)[email protected]
uk
Posted
I think you have done a good job of the scene and good enough for me /
I would like to use it .but have you the original ressolution ? this one I down loaded was blurred to my eyes
around 1500 res/to 2500res is my minimum..so if the original was so ,could it be posted to my e mail [email protected]
I know they wont take a high resolution on the thread part
thank you
all the best
Alan
Posted
I find this sort of thing difficult too; usually get round it by mixing the complementaries of my main colour - so if you take the mix on the left as being basically orange (raw plus burnt sienna, modified with other yellows) then a bluish or purplish glaze as suggested should work; or mixing blue or purple with the orange-y mix..... try it out on scraps of paper. Avoid Paynes Grey: has its uses, but not in this sort of painting where you're after the appearance of shadow on a sunny day. <div>By the way = this is a fiendishly complicated scene, from which I should cringe in a generally rather pathetic way.... well done for even tackling it. </div>
Posted
Ah - this is my sort of scene. It all depends on your basic palette as to how you tackle it and Robert and Artyman offer good advice here.
I am inclined to ignore, to some extent, the actual colours and use my own palette when tackling such a scene - I would be using raw and burnt with touches of light red on the left. On the right I would probably use a mix of light red and ultramarine which i find as being the most important mix in most of my work. I get tremendous variations in this mix. Painting this way there is no need to worry aboult glazes which I am not too fond of. Alternativly paint both sides in the same mixes and the on the right a glaze with purple wash as has already been suggested.
Where is the scene? Might even have a go at it if I get a bit of spare time in the next couple of weeks - thanks for making the photo available Tom.
Posted
Hello greenexplorer,
When you mix a sunny side with three colors alizarine, ultramarine Blue, and burnt sienna, you add more Ultramarine Blue for the darker side, so you stay in balance and harmony about your colors.
You could try raw Sienna in stead of Burnt, for a even lighter mix.
Regards Edo