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March 2018 The Artist

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  • Masterclass - Peter Graham finds inspiration in a quintessential English scene
  • In Conversation - Susie Hodge talks to Eric Rimmington about his highly detailed still lifes
  • Amanda Cooper offers advice on holding an exhibition in your home as part of an Open Studios or Artweeks event
  • How can a gallery and artist work together to maximise sales? Mark David Hatwood offers his advice on using social media
  • Charles Williams muses on Venice

Practical painting and drawing:

  • Hazel Soan shows how to translate the tones you see in your subject to watercolour
  • Master skin tones in coloured pencil with Alyona Nickelsen
  • Jake Winkle shares the watercolour techniques he uses for painting texture and patterns in animals
  • Exercises in line and wash with Paul Weaver
  • Richard Suckling shares his enthusiasm for plein-air pastel painting
  • Discover the benefits of working with a new medium - advice and demonstration from Cheryl Culver
  • Marie Antoniou shows how to use tube black to best effect in your acrylic painting
  • Bob Brandt shows how visiting a location time and again can improve your work
  • Make the most of window light with Max Hale
  • Adele Wagstaff concludes her figure painting series by looking at lower limbs and feet
  • Paint a tree in acrylic pencil and walnut with Oliver Lovley


  • Your views
  • The Art World
  • Exhibitions
  • Opportunities
  • Art book reviews
  • Retail directory
  • Artbox

All this and more in the March issue of The Artist, out on January 26.