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Grisaille method
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Posted
A while ago I did a monochrome portrait of my New York landlady in the 70’s, who happened to be a famous actress, Viveca Lindfors. Translating it to colour, using a Zorn palette isn’t going particularly smoothly. It just shows up how much touching up went on in Studio photograph, that I used in the original. The harsh lighting looks a bit bizarre and unreal. Any thought folks?
