Getting the tone just right

Getting the tone just right

As a former portraiture student of London Art College in 2012, Julie Ann Maguire understands that getting a good likeness is as important as tonal values - a critical quality that has always been paramount in developing her unique suburban art jam

Dear Art Friends In November 2012 I obtained distinctions on the portraiture certificate course provided by London Art College, after being successfully guided by the mentorship of my course tutor, Nick Beall. In order to achieve this standard, I worked progressively through 16 study units and I produced assignments covering portraiture techniques, such as preliminary sketches of facial expressions and emotions, facial anatomy, composition, poses, colour theory and tone. I had the opportunity to develop my drawing skills/art theory understanding and create ideas in graphite, CP, acrylic, watercolour and oils media. LAC provided excellent support and underpinning knowledge throughout my course. It is important to create a true likeness of character, part of the technique lies in getting tonal values correct and an accurate underdrawing is essential if these qualities are to indicate the essence of the individual portrayed. These images below, forming part of my final assessment prior to grading, illustrate the importance of preliminary sketching whether in graphite, as shown, or basic acrylic/oil sketching before the image takes shape on canvas. "Chaos at Rest" is a spur-of-the-moment composition which gave me credibility, confidence and care to succeed as a student artist to gain distinctions. The preliminary graphite became an original pastel pencil creation and I thank Nick for all his honest feedback which has continued to inspire me to do greater things and have a more knowledgeable understanding of master artists such as Spencer, Munch, Berserik and Durer. Indeed the section on self-portraits has translated into my own work with an personal undertaking to produce a "Selfie" each year to not only depict my ageing process, but be in a strong position to appreciate and compare my work progress on this artistic journey. Copy/paste the following link to learn about how a London Art College portraiture course could help improve your painting and drawing skills: http://www.londonartcollege.co.uk/portrait-painting-course/portrait-painting-certificate-course.htm
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Comments

I am not sure I quite agree with you, Julie, about it being essential to produce an accurate drawing to underpin a portrait. It is, of course, if your goal is to produce a realistic image of the person in whatever medium you are using. However, to me, a portrait is so much more than an accurate likeness and needs to somehow capture something extra about that person which an over accurate drawing can actually hinder you achieving. I have done a few portraits in my time and I always start off with a rough drawing, just loosely mapping where the features are and then often I take a rubber and stroke across my drawing to break the lines up to make sure I am not just 'filling in' between the lines as this makes for a dull and dead work in my view. During the painting process, I wait for that elusive eureka moment when the person I know suddenly emerges from the paper. I don't mean the likeness of them emerges, but rather who exactly they are, their emotions, character, personality - call it what you will. I read a while back that Brian Sewell, the art critic, visited the National Portrait Gallery and, on looking at the more recent portraits, came away very disappointed saying that he wanted to see artistry rather than painted photographs - something everyone who paints portraits should keen uppermost in their minds in my view. If you want to see some fantastic watercolour portraits, that are not accurate likenesses, but totally capture the person, then check out Charles Reid's work. Of course, it depends what your aim is. Mine is to paint portraits that are not necessarily accurate likenesses but that bring something else to the table. Others like to produce totally accurate portraits, with every detail. Horses for courses as always.